The People’s Plaza is a place for everyone. Or at least, that’s always been the dream
For the last seven years we’ve been carving out a special space in west tejas, where local art and culture can thrive, and local creators can create their future together.
My grandmother was an artist who created out this way, and who was quite irreverent in her own way. She’d wake up, smoke cigarettes, tell dirty jokes, drink white wine with ice, and paint. Every so often we’d come over to Nona’s apartment, and it would have gone from a safari to a pirate ship. She was always creating, always pursuing a more colorful life.
She painted and created, wherever she went. Of all the places she lived and worked, west texas was always the hardest. The spiritual fortitude it took to make beauty, amidst a social structure built for control, was a generational inspiration.
When I had a chance to take a decaying structure just a short drive from where her and Poca lived with my Great Grandma Pearl, and transform it into something alive and expressive, I jumped all in.
The Plaza sits right in the heart of Abilene Tejas. For many decades, the structure has stood nearly invisible, tucked away behind the biggest bank in town. When I first moved to town and removed the dark screens covering the windows, we heard the same thing repeated by folks over and again;
"ya know, I’ve driven by this building a thousand times, and never seen it once"
Today it's hard to miss.
The east entrance is now covered with a sunrise, and the west with a sunset. The paintings are in honor of a Lakota elder from Standing Rock, Sonny HisChase who said;
“The people are every shade of the sunrise,
every spectrum of the sand and soil,
and every shadow of the night sky.”
We have worked hard to create spaces that are profoundly welcoming to all people. A Local Mall, fostering local creativity, local culture, local commerce, and a strong local community. We call it the People’s Plaza, and we hope to see more created, in towns across America.
Rain or shine, in one way or another, we have been in construction for a bit more than 2500 days. Transmuting old material, and workin to craft new spaces that are welcoming, and inclusive. Today we are home to more than 70 local businesses and studios, and have continuously cultivated a place of free expression.
Growing up, Dad was a farmer. His dream was to grow quinoa at scale, and meaningfully address malnourishment and hunger, while building a significant business. As a kid, he was our hero on the farms, surrounded by tractors and heavy equipment, a small team of scientists and the folks who helped harvest. At six years old all that changed, and Dad ended up in a lawsuit that nearly broke our family apart. Seven years later he won the lawsuit, and bought a home in austin tejas - and a big ol’ commercial building in abilene, near the land my mothers family had ranched, for some seven generations.
When he passed away, the bank called the loan, and the roof collapsed, destroying roughly a third of the structure. There was a steady evacuation, and what would later become the Artists Wing, was essentially closed to the public. A new roof would cost more than the whole building was worth, and our family was facing bankruptcy.
On my most desperate day, a young man named Sam, overheard a conversation I thought was private. The insurance companies had rejected us several times, and I had no where else to turn. He shook my hand, slipped his card in my chest pocket, and whispered - we can get you a new roof.
This has been a project of many miracles, but this was perhaps the first. A couple months later we got an agreement for a new roof, and Sam got to work.
We removed more than 700,000 pounds of material, and had cranes lifting AC units and rebuilding their bases, for more than a year. It's a bit hard to conceive honestly, even for me and I was there. Imagine removing 700,000 pounds from just about anything. For some time after, part of me believed I could hear the building rolling its shoulders, and sighing a deep breathe of relief. Certainly for all of us within the Plaza, we breathed better and were given for the first time really, a temperate and contained space to create within.
When we began replacing the roof, we were approached by a company looking to rent the wing that had been destroyed. They were willing to take on all construction costs, and would be there for some time. For my family, the offer had the potential to change our lives. The next day we asked what kind of a company it was, and were told they were moving to town, to run oil pipelines through the region. I had just returned from Standing Rock, and as a descendent of local ranchers, knew we had to say no. It was an intense week of discussions among our family, but in the end we decided to align our business choices with our conscience. We have never stopped paying for the consequences of that choice, and every day it has made me proud.
Around the same time, two artists named Greg Crone and Casey Chavez, came to us and asked to sit down. They told us about the local art culture, and how they had struggled over the generations, to find a space that would fully support them in the region. At the time we had no idea if the Plaza would survive another season, but we made them a solemn promise. As long as we existed, we would never censor their art or creativity. If it needed to be created, there would be a place for it.
Some six years later, and we have been hosting community gallery shows, ever since. Thousands of pieces of art have hung from our walls, and a huge litany of local creators have graced us with their most precious work.
The first person to come in and truly transform their space, was one of a kind Martez Hawkins of YoMartez!. Tez and I first met when I was lookin for a barber in town. His skills with the clippers were well known, and after gettin cleaned up, I saw he also had a rack of clothing that were fresh fresh. I picked up some gear, and walked into a meeting with the bank that made the project possible. Tez often has that effect, on whatever he touches. In a region dominated by limiting archtypes, Tez created a satirical streetware brand that has traveled far and wide. What was once just a few shirts on a rack behind a barber shop, has become a stunning boutique and brand, unlike anything for hundreds of miles in all directions.
More than anyone, Martez has held the vision of a Plaza for the People. A place where all people could gather, all local businesses could thrive, all ideas could be engaged, and all artists were free to express as they wish.
Soon after we were introduced to a young man named Sergio Hernandez, and his talent has echoed through the hallways and outward, ever since. His studio remains tucked into what feels like a secret lair, and every inch is covered in paints and tools and materials. As art director for the plaza, his murals grace our walls, and his designs have brought clarity, to all manner of confusion. Like so many of the brilliant souls who have graced this place, his art is indelibly printed in the infrastructure, and will remain so.
I am often astonished when I consider the amount of people who have come together over the years, to see the Plaza come into being. People like Christina Romera Gonzalez, who in addition to cutting folks hair and keeping their secrets, has been a force for community and creativity, since she arrived. Each year she teams up with those willing, and builds a large Ofrenda in our Welcome Gallery, creating a sacred and reverent space, for each of us to mourn and celebrate our loved ones. It is one among many traditions, honored and kept by a community willing to struggle in order to have a place, where everyone is welcomed.
People like Ryan Crone, a rare talent, with a taste for the distasteful. He has singularly written and animated and published a line of Comics created here in Abilene, that would make even the most irreverent blush. In addition to his own genre of gallery shows, he recently organized and hosted our first Independent Film Festival. Often overworked just to feed his family and pay the bills, his moments in between were spent evaluating submissions, creating awards and welcoming filmmakers to town. We all learned a great deal, and surely next year will be better, but like so much that has occurred among this this grand experiment in infrastructure, the first happened in our gallery.
Today the People’s Plaza stands as a place, open to all people. We have worked to cultivate a community that supports one another, and cares for one another. As the divisions of our time continue to splinter, we work to shepherd spaces that beckon us to cooperate, and build upon the natural interdependence of our lives.
Each space has a story, and behind each door is a universe unto itself. We have been proud to support such a broad array of entrepreneurs and artists and creators of many mediums. Over the last seven years, we have seen albums recorded and books created. Comics published and artists platformed for the very first time.
The history of Abilene is a serious one, and it seems one some are finally willing to face head on. The town was created and cultivated in many ways, to be a religious colony. A place where folks of a certain point of view, could control land and people.
For many decades, a censorship board held tremendous power here. Live music and dancing were strictly prohibited, and the town was just as strictly segregated. The south side above the flood planes, where the owners built homes. And to the north, where communities are continuously flooded out.
As a teenager, I remember Dad staring at a blueprint of the Commerce Plaza, with thumb tacks in the corners, and yelling over the phone. It was his biggest achievement in business, and yet he kept his profile low. Working with a local family, they filled the halls with state agencies and insurance companies, and large legal firms. But companies that had dozens of employees in the twentieth century, were able to be run by a small teams in this modern one, and like many places in America, commercial structures were abandoned, as the price to renovate outweighed any potential benefit. The regressive laws of west texas often stifled progress, and while much of the state blossomed, dilapidated towns became a new normal in our region.
When I first moved back out this way, all I wanted was a place to listen to good music and feel the vibes of dance and moving bodies. That place was nowhere to be found. Once a month on a Saturday evenin, a single spot would open, and folks would come pouring out. But violence often followed, and the legacy of oppression lived on.
The cultivating of local culture and a local economy through physical space, is a work we began experimenting with some years ago, in eastern Congo. There we partnered with several organizations to build a large pavilion, filled with booths, and it came to be known as The Peace Market. The Market was built among a region, in between farming communities and the big city, where families would often walk long distances each day, exposing them to many threats. After construction was completed, the changes began almost immediately. Booths filled with Mommas, and families began trading among one another, rather than going all the way to the city. Today more than fifteen years later, the Market stands strong, and continues the work of cultivating a resilient local economy, community and culture.
The People’s Plaza is in many ways, the same idea carved out of American infrastructure. What was once an old forgotten office building, is now a local mall, filled with two galleries, a community library, a recording studio, juice bar, and some seventy local businesses, shops, salons and creative studios. A community square, where originality and courageous creations, breathe from every corner. We wish to stand as a generational bulwark, to the forces of suppression. A place where all art has space to exist, all books are welcomed, and all people are allowed to be exactly who they are.
We are still far from complete in the transformation, and will need strong partners to survive and continue on. Since the roof collapsed, it has been a decade of loss, and our small family has leveraged everything we have, and given all we possibly can, to see the People’s Plaza come into being. But in truth it has demanded too much, and should not be carried in such a way. We are eager to find partners, to reflect the collective nature of the project.
If you are involved in art or music or film, we'd love to create with you. If you are involved in construction or infrastructure, we'd like to learn from you. If you are involved in investing or lending, we’d like to be your next project. If you are involved in turning businesses into cooperatives, or offering shares to a wide community of stakeholders, we'd like to grow from your experience. If you are an organization working to protect people's basic rights, west tejas has historically been ignored in staggering ways, and we'd like to work together to see that change. And if you are an individual willing to donate, our galleries and public spaces are in need of support, and we'd be honored to channel your resources in a good way.
Every First Friday, the Plaza opens for vendors and food and music and new gallery shows. We’d love to welcome all of Tejas and the Southwest to join us regularly. Abilene is several hours from the next major city, so the best way to reach us is to gather your crew and roadtrip. You can also hop a small plane from Dallas, and once here, our local airport is the epitome of convenience.
This year on Valentine’s Day, we are hosting our very first People’s Ball, held in the very special People’s Hall. Celebrating Celestial Love, this eccentric Gala welcomes you to make your formal attire Art, and come as a Living Expression of Love.
Join us on 2/14 in the People's Hall, and let your light shine bright. Whatever you wish to share, we wish to give it space to be seen.
Hope to see all of you soon
Peace and love yall
sean david